Our musical journey begins with the fourth visit to Coleman audiences by this venerable London-based ensemble, established in 1967 by the renowned chamber orchestra of the same name in order to perform larger chamber works without relying on guest artists. We will visit Prague, where Dvořák’s quintet premiered (and earned five ducats in a competition), … Continue reading Academy of St. Martin in the Fields Chamber Ensemble →

Fabio Bidini From the Klezmer tradition of Eastern Europe to the Swedish essence of Anders Hillborg, from Manhattan’s Elliott Carter and the Imani Winds’ own Valerie Coleman and Jeff Scott to Mozart’s Vienna with Italy’s fabulous Fabio Bidini (about whom Philadelphia’s Broad Street Review wrote “Yes! This must have been what it was like to … Continue reading Imani Winds with Fabio Bidini, piano →

Formed ten years ago under the guidance of renowned clarinetist David Krakauer and violinist Isodore Cohen at the Manhattan School of Music, the Zodiac Trio shortly thereafter became the first American group and the only ensemble with a wind instrument to enter the esteemed Ysaÿe Quartet Chamber Music program at the Paris Superior Conservatory. The … Continue reading Zodiac Trio →

Members of the Pacifica Quartet may live in Indiana—where they serve as quartet-in-residence at the Jacobs School of Music and as resident performing artists at the nearby University of Chicago—but their accomplishments range far beyond these state’s borders, including our own Coleman Competition: the Russell Award in 1995 and the 50th Anniversary Prize in 1996. … Continue reading Pacifica Quartet →

Named for the Czech composer, the Pavel Haas Quartet returns to Coleman to take us to Prague, where in 1878 Smetana’s Quartet No. 1 was given a private premiere with Antonin Dvoˇrák as violist. The Quartet’s recent recording of this work is one of three nominated in the chamber category for the 2016 BBC Music … Continue reading Pavel Haas Quartet →

• DOWNLOAD THE PROGRAM FOR THIS CONCERT Our musical tour concludes with a visit to Shostakovich’s Russia and a return to Beethoven’s incomparable late quartets—three of which, including Op. 132, were commissioned by Prince Nikolai Galitzin in St. Petersburg. He agreed to Beethoven’s requested fee of 50 ducats each… the last two finally paid to … Continue reading Dover Quartet →